Voices from the Sound Archive
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5 EUR / 2,5 EUR reduced |
Please book your ticket in advance online or at the box office in the foyer. |
Duration: 60 min |
14 years and older |
German |
Accessible for wheelchairs |
Humboldt Lab, 1st floor |
Part of: One Object, Many Questions |
Fascinating sound recordings can be found on the 7,500 records of the Lautarchiv of the Humboldt-Universität zu Berlin: Voices of historical personalities from the time of the German Empire, for example, or German dialects that have long since disappeared. Founded in 1920, the Lautarchiv also bears witness to the problematic aspects of scientific collecting and research: for example, the holdings include voice recordings of World War I prisoners of war from the colonies of Great Britain and France as well as from Russia, who were often forced to make such recordings. Recordings of German dialects from Eastern Europe made during the National Socialist era not only served linguistic research, but also played into the hands of the National Socialist policy of conquest.
Antonia von Trott zu Solz, co-curator of the inaugural exhibition After Nature at the Humboldt Lab, and Christopher Li, head of the Lautarchiv’s collection, debate how to deal with the collection’s holdings as part of the series One Object, Many Questions: What challenges arise in the custody and scholarly analysis of a collection consisting of thousands of shellac and some acetate records? What is the relevance of the collection, which was built up from the turn of the century until the GDR era, for current research? And what considerations have the curators made in order to make sensitive recordings accessible to visitors of the exhibition After Nature and at the same time inform them about the problems they pose?
Participants
Antonia von Trott zu Solz is a linguist for Applied Linguistics. She is concerned with the interaction of language and society, as well as the interlocking of science and politics. She conducted research on the Lautarchiv’s dialect collection and conceived its first comprehensive exhibition at the Humboldt Laboratory. In addition to curatorial projects, she is active in educational outreach.
Christopher Li has been Head of Collection and Custodian at the Lautarchiv of the Hermann von Helmholtz-Zentrum für Kulturtechnik at Humboldt-Universität zu Berlin since December 2020. He studied musicology and ethnomusicology in Berlin. After his studies, he worked as a research assistant at the Musical Instrument Museum SIMPK. In 2010, he curated the special exhibition “Fascination Guitar” at the Musical Instrument Museum. In 2019, he received his PhD from Humboldt University in Berlin with a biographical thesis on George Harrison.
His research interests include transcultural musicology, pop music aesthetics and analysis, and musical instrumentology.