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Past events
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A reflective journey that traces the shadows of 140 years of colonialism, posing the question: How can true justice emerge when the wounds of the past are still bleeding? Through the voice of the daughter, we experience a powerful monologue calling for restitution, justice, and the restoration of African heritage, at the heart of Berlin’s vibrant future.

Take a behind-the-scenes look at the creation of a new performative tour that delves into the enduring legacies of 140 years of colonial history. This behind-the-scenes talk offers a unique opportunity to explore the artistic vision and creative process driving this innovative project, which poses the vital question: How can true justice emerge when the wounds of the past remain open?

At the center of the discussion is the compelling voice of a daughter, whose powerful monologue calls for restitution, justice, and the reclamation of African heritage. This conversation sheds light on how art can confront historical injustice and inspire a transformative future.

Accompanied by live musical elements, this event provides an intimate glimpse into the development of a project that reimagines Berlin as a vibrant space for reconciliation, recognition, and renewal.

Join us for an evening of dialogue, creativity, and inspiration as we pull back the curtain on a work that seeks to connect the past with a vision for the future. We look forward to seeing you!

 

Beteiligte

David Dibiah

David Dibiah is a Berlin-based multidisciplinary artist whose work spans performance, graphic design, music, and education. A graduate in Graphic Design and a member of the Verein Berliner Künstler since 2010, Dibiah is a key figure in Berlin’s cultural scene.

His notable work It Lies in Public Spaces at the Humboldt Forum critically explores colonial legacies through rap, prayer, and poetry. Currently, he is developing Berlin Reconference, a performance addressing 140 years of colonialism through storytelling, music, and philosophy.

As an educator, Dibiah teaches art in Berlin’s Jugendkunstschulen and works as a guide since 2001 for the Staatliche Museen zu Berlin fostering deeper engagement with art and culture. His work challenges narratives and inspires future generations.

 

Patrick Helber

Patrick Helber studied History and Political Science in Tübingen and Dublin and earned his doctorate in Modern and Contemporary History in Heidelberg in 2014. His book Dancehall und Homophobie explores postcolonial perspectives on the history and culture of Jamaica. He lives in Berlin and works as a curator for education and outreach at the Ethnological Museum. Previously, he was employed at the German Historical Museum and the Museum Neukölln. In his free time, he hosts a radio show on Caribbean pop culture and has been spinning reggae and dancehall on vinyl under the name Scampylama Sound since 2003.

Gehört zu

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